Deutsche Erstaufführung: ; Länge: m min; Land: Deutschland; Produzent: Erich Pommer; Regie: Fritz Lang; Drehbuch: Thea von Harbou. In der technokratischen Riesenstadt Metropolis leben Arbeiter und Oberschicht völlig isoliert voneinander. Arbeiter gelten als minderwertig und müssen in den Tiefen der Erde, wo es weder Sonne noch Freude gibt, vegetieren und wohnen in engen. - Erkunde Klippenstippers Pinnwand „Metropolis“ auf Pinterest. Weitere Ideen zu fritz lang, metropolis, maschinenmensch.
total klassisch- Erkunde Klippenstippers Pinnwand „Metropolis“ auf Pinterest. Weitere Ideen zu fritz lang, metropolis, maschinenmensch. Auslaufartikel (Produktion durch Hersteller eingestellt): Nein; Verpackungsabmessungen: x x cm; Gramm; Regisseur: Fritz Lang. Regie: Fritz Lang. Jahr: Land: D. BUCH: Thea von Harbou. KAMERA: Günther Rittau, Karl Freund. MUSIK: Gottfried Huppertz. MIT: Alfred Abel, Gustav.
Metropolis Lang Navigation menu VideoMetropolis (1927) Trailer #1 - Movieclips Classic Trailers
The aerial shot of Maria through a skylight struggling to escape her pursuer is a stroke of genius. Shadow play on the walls gave me chills. And I loved the bombastic offices with their huge doors and empty spaces for proto-Hitlerian masters of the corporate universe to strut.
The restoration premiered on 15 February at the Berlin Film Festival , with a new score by Bernd Schultheis, performed live by the Rundfunk-Sinfonieorchester Berlin.
The running time is minutes at 24 fps, and it was released internationally on various DVD editions beginning in The safety reduction was intended to safeguard the contents in case the original's flammable nitrate film stock was destroyed.
Under the auspices of the Friedrich-Wilhelm-Murnau-Stiftung, Berlin's Deutsche Kinemathek and Museo del Cine, a group of experts, including Anke Wilkening, Martin Koerber, and Frank Strobel began combining the newly discovered footage with the existing footage from the restoration.
A major problem was that the Argentinian footage was in poor condition and had many scratches, streaks, and changes in brightness.
Some of this they were able to overcome with digital technology, which would not have been possible in The reconstruction of the film with the new footage was once again accompanied by the original music score, including Huppertz's handwritten notes, which acted as the key resource in determining the places in which the restored footage would go.
Since the Argentinian print was a complete version of the original, some scenes from the restoration were put in different places than previously, and the tempo of the original editing was restored.
In , Australian historian and politician Michael Organ had examined a print of the film in the National Film Archive of New Zealand. Organ discovered that the print contained scenes missing from other copies of the film.
After hearing of the discovery of the Argentine print of the film and the restoration project, Organ contacted the German restorers; the New Zealand print contained 11 missing scenes and featured some brief pieces of footage that were used to restore damaged sections of the Argentine print.
It is believed that the New Zealand and Argentine prints were all sourced from the same master. The newly-discovered footage was used in the restoration project.
Two short sequences, depicting a monk preaching and a fight between Rotwang and Fredersen, were damaged beyond repair. Title cards describing the action were inserted by the restorers to compensate.
The Argentine print revealed new scenes that enriched the film's narrative complexity. The characters of Josaphat, the Thin Man, and appear throughout the film and the character Hel is reintroduced.
The restoration was premiered on 12 February at the Berlin Friedrichstadtpalast. Huppertz's score was performed by the Berlin Radio Symphony Orchestra, conducted by Frank Strobel, who also re-recorded it for theatrical and home video release.
The performance was a gala screening as part of the 60th Berlinale and had several simultaneous screenings. It was also shown on an outdoor screen at Berlin's Brandenburg Gate , as well as at the Alte Oper in Frankfurt am Main.
The Brandenburg Gate screening was also telecast live by the Arte network. The North American premiere took place at the TCM Classic Film Festival in Mann's Chinese Theatre in Los Angeles on 25 April The restoration has a running time of minutes or nearly 2.
The American copyright for Metropolis lapsed in , which led to a proliferation of versions being released on video. Along with other foreign-made works, the film's U.
Gonzales and as Golan v. Holder , it was ruled that "In the United States, that body of law includes the bedrock principle that works in the public domain remain in the public domain.
Removing works from the public domain violated Plaintiffs' vested First Amendment interests. The case was overturned on appeal to the Tenth Circuit ,  and that decision was upheld by the U.
Supreme Court on 18 January This had the effect of restoring the copyright in the work as of 1 January The film will remain under copyright in Germany and the rest of the European Union until the end of , 70 years after Fritz Lang's death.
From Wikipedia, the free encyclopedia. Silent science fiction film by Fritz Lang. Theatrical release poster by Heinz Schulz-Neudamm.
Thea von Harbou Fritz Lang uncredited. Alfred Abel Brigitte Helm Gustav Fröhlich Rudolf Klein-Rogge. Karl Freund Günther Rittau.
Release date. Running time. Silent film German intertitles. A replica of the Maschinenmensch Machine-Person , on display at the Robot Hall of Fame in the Carnegie Science Center , Pittsburgh , Pennsylvania.
The New Tower of Babel , Fredersen's headquarters in Metropolis. The Tower of Babel in Maria's recounting of the biblical story was modeled after this painting by Pieter Brueghel .
Giorgio Moroder Freddie Mercury. Moroder Pete Bellotte. These roles sometimes are incorrectly attributed to Brigitte Helm, since they appear just above her credit line.
In Clute, John and Nicholls, Peter eds. The Encyclopedia of Science Fiction. New York: St. Martin's Griffin. Retrieved 15 May Die besten Kultfilme in German.
Munich, Germany: Heyne Filmbibliothek. British Film Institute. Article Contents. Print print Print. Table Of Contents. While every effort has been made to follow citation style rules, there may be some discrepancies.
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The movie depicts a deeply-divided world, where rich overlords enjoy life in luscious gardens, palaces, and run the city from high up in their expensive skyscrapers, while armies of workers slave away deep below the earth, servicing the great machines that power the city.
In the end, Rotwang is killed and Freder fulfils his role as the mediator, by bringing together his father and the workers. Metropolis was the most expensive film ever made at the time, and groundbreaking special effects were used, such as the Schüfftan process, in which actors were projected onto miniature models sets by using mirrors, in order to create the impressive city scenes.
Fritz Lang was inspired by various art movements and architectural styles. One of the major influences was Art Deco, which grew out of the Art Nouveau style and took inspiration from the geometric forms of Cubism, as well as from Constructivism , Functionalism, Modernism and Futurism.
Art Deco was characterised by the use of vivid colours, bold geometric forms, lavish ornamentation and new materials like aluminum, stainless steel, chrome and plastics.
The style soon became synonymous with luxury and technological progress. Art Deco was especially present in architecture and design from the s to the s, and in Metropolis , the style can be seen in the magnificent skyscrapers made of smooth stone, the dazzling angular skyline, and the interiors of the skyscrapers with their classy offices.
Click here for more information. Accept Reject. Beautiful, interesting, incredible cinema. Directed by Fritz Lang. The dystopian city itself consists of miniature buildings, which at once create a visual illusion while establishing the look and feel of the primary setting.
The sense of space aligns with the German Expressionist approach, which prized absurd geometry and a lack of realism, along with the sharp design of the various skyscrapers.
There's an epic quality to the aesthetic, which effectively complements and contrasts the primary underground narrative. To further captivate audiences, Lang used mirrors to project actors and actresses onto his miniature creations.
Then and now, Metropolis shows the dangers of unchecked power.For Metropolis, Lang took an unorthodox approach with his cityscapes, at least when compared to modern set bigboxwatch.com dystopian city itself consists of miniature buildings, which at once create a visual illusion while establishing the look and feel of the primary setting. 8/18/ · Easily one of the most iconic films ever made, Fritz Lang’s classic future shock is still thrilling. A propulsive epic and mind-blowing visual symphony, Lang’s deeply influential vision is both the foundation of sci-fi cinema and a time-honored gateway to the expressive wonders of silent film. 12/19/ · Lang did not make a monster in Metropolis, he only made a piece of art, and art, unfortunately, can be both admired and twisted by monsters. Sources: Ayçoberry, Pierre.