Heute vor 50 Jahren kam „Love Story“ auf die Leinwand. BILD sprach zum Jubiläum mit Ryan O'Neal über seine Erinnerungen an den Film. Love Story ist ein Film-Melodrama aus dem Jahr Das Drehbuch schrieb Erich Segal, der Autor des gleichnamigen Romans. Der Film erzählt die tragische Geschichte eines jungen Collegepaares und wurde zu einem der größten Filmerfolge der frühen. Love Story ist ein Film, den man immer wieder sehen kann. Dieser Film über die erste große Liebe, die alle Hindernisse zu überwinden scheint, begeistert Alt &.
Love Story (1970)Love Story ist ein Film, den man immer wieder sehen kann. Dieser Film über die erste große Liebe, die alle Hindernisse zu überwinden scheint, begeistert Alt &. Love Story. |13+ |1 Std. 41 Min.|Buchverfilmungen. Harvard-Student Oliver heiratet Dieser Film ist Sentimental,Bewegend,Romantisch. Besetzung. Heute vor 50 Jahren kam „Love Story“ auf die Leinwand. BILD sprach zum Jubiläum mit Ryan O'Neal über seine Erinnerungen an den Film.
Love Story Film Movies in Theaters VideoBEAUTY IN THE BROKEN - Love Story - HD - Full Length - Romance Movie Love Story is a three-handkerchief movie if you are hard boiled. Otherwise it rates six hankies. Three memorable scenes. Directed by Leslie Arliss. With Margaret Lockwood, Stewart Granger, Tom Walls, Patricia Roc. After concert pianist Lissa Campbell learns that she has a serious heart problem. she vows to enjoy what time she has left. I read Love Story one morning in about fourteen minutes flat, out of simple curiosity. I wanted to discover why five and a half million people had actually bought it. I wasn't successful. I was so put off by Erich Segal's writing style, in fact, that I hardly wanted to see the movie at all. Segal's prose style is so revoltingly coy -- sort of a cross between a parody of Hemingway and the. It was fitting to see this film in , the year that the leading actors, Ali MacGraw and Ryan O'Neal, returned to the Harvard campus (in an MG-TD), where much of the movie was shot for release in A low-budget undertaking at the time, Love Story achieved star ratings in the manner of Casablanca, another such unexpected success story. Abenteuer mit dem Titel "Hiiro no Dangan" zu Deutsch: Die scharlachrote Kugel auf der Kinoleinwand zu sehen sein. Oliver bittet seinen Vater um Geld, um Jenny die bestmögliche Therapie zu finanzieren, verschweigt aber aus Stolz den Grund seiner Bitte. Deine Bewertung. Overlord Filme original director was Larry Peerce. Full Review. Trailer Bulletin: Keeping Up With the Steins.
Jones Film Editor. Francis Lai Original Music. Trailer Bulletin: Keeping Up With the Steins. February 8, Full Review…. December 19, Full Review….
February 9, Full Review…. May 9, Rating: 3. February 5, Rating: 4. April 5, Full Review…. View All Critic Reviews Aug 29, Well, I guess Arthur Miller did, in fact, write something as cheery as a love story from time to time after all.
This is a seriously lazy title, but it's not exactly misleading, because when I hear about a dramatic "love story", I'm usually expecting something kind of depressing, at least ever since this film.
This thing was trite and a groundbreaker at the same time, which would be awesome if the usual romantic drama released afterwards were better or, well, watchable.
I exaggerate, but forget Nicholas Sparks for ruining this formula, which actually might not have ever been that good, yet can at least be respected more back in , because kids had much better taste in music back then.
Maybe people got so sour about the film in retrospect because they couldn't help but think about Ryan O'Neil's later work This film is some kind of a curse, I tell you , although it doesn't help that this film, as decent as it is, has plenty of flaws.
The film drags its feet from time to time, or at least feels as though it does, because among some of the bigger issues in this film is cold spells to Arthur Hiller's storytelling which range from a little bland to rather dull, with a limited flare that doesn't exactly more sparkling through the years.
This film is betrayed by its own legacy, because, really, its formula has gotten to be so overexplored that it all but makes this film feel trite, and it doesn't help that there are many areas in which this film does, in fact, hit tropes, and hard, with familiar themes and conflicts, driven by characters who aren't quite familiar enough.
It's not like the developmental shortcomings thin down the background of the characters, as much as they water down a sense of motivation in the characterization, for the initially obnoxious characters come to take on humanizing roles that seem to come in from out of nowhere, just as the romance itself feels rushed into, not quite fleshed out enough as convincing on paper for you to embrace the melodramatics which thrive on the romantic dynamics.
Really, I don't think there's any overlooking the histrionics which define this story, for this is a conceptually compelling, but unlikely narrative is manufactured in a lot of areas in its characterization and conflicts, made all the more contrived by subtlety issues to storytelling.
The directorial storytelling is usually pretty subtle, maybe too much so, while the writing proves to be intelligent in other areas, but certain themes and dialogue pieces are thrust against your head, as are what characterization there are which are comprehensively distinguished, thus making for an occasionally cheesy script whose directorial interpretation also has its moments of atmospheric bloating, which punctuates directorial dry spells a bit too intensely.
When the storytelling resonates, it cuts fairly deep, and when it doesn't, ambition only stresses the other shortcomings of this slow, dated, formulaic and rather contrived melodrama, holding the final product pretty decidedly into underwhelmingness.
It's remarkable that the film manages to border on rewarding, but, make no mistake, the final product comes closer to being consistently compelling than it does to falling flat, having plenty of taste, even in music.
There's not much to the film's soundtrack of limited dynamicity and even more limited prominence, but the classical pieces, both unoriginal and composed for the film by Francis Lai, are beautiful by their own right, and complimentary to the tasteful heart of a drama whose sophisticated musical sensibilities add to a sense of importance.
It certainly helps that the story itself is worthy, watered down partly by its dated aspects and contemporary convention, and largely by its melodramatics, but still promising as a portrait on the young love, and how it fairs against conflicts in family, living condition and, of course, health.
The subject matter followed in this melodrama is valuable stuff, and the final product could have rewarded if Erich Segal's script was more realized, without the inorganic exposition and contrivances which play a huge role in holding the film back that goes challenged by clever, memorable dialogue Ironic how the woman said, "Love means never having to say, 'I'm sorry'" , and some profound highlights in manufactured, but distinguished characterization which embodies, at least for the time, relevant themes, and intriguing dramatic layers.
I wish there was more subtlety to the storytelling, but there is a fair bit of it, and it's largely found within direction by Arthur Miller that also has its overbearing moments to punctuates often dull dry spells, but is particularly tasteful, with delicate pacing that establishes a sense of thoughtfulness, whose application over more realized touches in drama begets genuine resonance.
The film comes down to some heavy twists and turns which people these days can surely predict, even if they're not familiar with this film, yet which remain pretty powerful in their saving an underwhelming melodrama as, well, slightly less underwhelming, charged by performances that are consistently endearing.
The characters have their unlikable, or at least obnoxious traits, and they stand to be much more nuanced, but only in their writing, for lead performers Ryan O'Neil and Ali MacGraw, despite keeping consistent with solid charisma and an electric chemistry, are layered in their subtle, sometimes piercing emotional commitment to the portrayal of budding love's having to face many a harsh reality.
I suppose O'Neil and MacGraw technically carry the film, because even though they can't quite get the final product to a rewarding point, they are what push this messy melodrama to the brink, with the help of some inspired storytelling that make things plenty engaging, for all of the ambitions and misguidance.
Bottom line, there are some draggy, or at least bland spots, as well as spots which either have become dated or were formulaic to begin with, while undercooked characterization, melodramatics and certain subtlety issues to storytelling truly limit momentum, until the final product falls as underwhelming, but not so much so that a tasteful soundtrack, worthy subject matter, often smart script, thoughtful direction, and effective performances by Ryan O'Neil and Ali MacGraw fail to secure Arthur Hiller's "Love Story" at the brink of rewarding as a flawed, but enjoyable breakthrough in tragic romantic melodrama.
Cameron J Super Reviewer. Dec 11, I find it amazing how quickly Ryan O'Neal seemed to be everywhere and was in some really important pieces of work..
Anyways about the film. Cliched to the max. Many don't seem to care. John B Super Reviewer. May 20, I didn't LOVE this movie, but I can certainly understand its cult status as the bitterest of the sweet, chocolate-shitting, daisy-vomiting doomed romances.
I'm guessing it spawned other rich boy-poor girl-DEATH stories such as "A Walk to Remember," which is also schlocky but irresistible.
The screenplay boasts some nice zingers the couple's catty meet-cute and the bad-dad-retort, "I won't give you the time of day!
Francis Lai's haunting score and the impromptu snowmance sequence are lovely wordless portraits. One gripe I have is with Ali MacGraw.
Just the happiness of two families. Celia Johnson is like a silent movie star with her huge eyes, showing so much emotion with barely a rustle of an eyelash.
Laura has grit in her eye. Alec gallantly removes it. Later, they run into each other in a restaurant. They have luncheon this is the s , take a trip to the cinema, drive in the countryside.
And so they must part. He accepts a job in South Africa. Buy, rent or watch 'Brief Encounter'. Go to the content Go to the footer Close London icon-chevron-right London.
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Rate This. A boy and a girl from different backgrounds fall in love regardless of their upbringing - and then tragedy strikes.
Director: Arthur Hiller. Writer: Erich Segal. Watch on Prime Video buy from EUR9. Added to Watchlist. From metacritic. Related News Robert C. Editorial Lists Related lists from IMDb editors.
Golden Globes by the Numbers. Watched in Sad Romance Movies About Terminal Illness. Classics to Watch. Share this Rating Title: Love Story 6. Use the HTML below.
You must be a registered user to use the IMDb rating plugin. Show HTML View more styles. User Polls 25 Iconic Female Movie Quotes Films Nominated for the "Big Five Academy Awards" that Won 0 of Them Love Is The Most Important Thing in Life is Won 1 Oscar.
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Kimi No Na Wa. Slumdog Millionaire To Catch a Thief You Can't Take It With You Wings of Desire It was based on Segal's novel.
The film begins with Jenny's funeral, then picks up 18 months later. Oliver is a successful, but unhappy, lawyer in New York.
Although still mourning Jenny, he manages to find love with heiress Marcie Bonwit Candice Bergen. Suffering from comparisons to the original, Oliver's Story did poorly with both audiences and critics.
NBC broadcast Love Story , a short-lived romantic anthology television series, in — Although it shared its name with the novel and movie and used the same theme song — " Where Do I Begin Love Story " — as the movie, it otherwise was unrelated to them, with no characters or storylines in common with either the novel or the movie.
The original film was remade in India in the Malayalam language entitled Madanolsavam in Another movie Sanam Teri Kasam was made also in India in the Hindi language and released in The film is a modern rendition of the novel Love Story by Eric Segal.
The film was released worldwide on 5 February under the production banner of Eros Now. Vincent Canby wrote in his original New York Times review that it was "as if Jenny was suffering from some vaguely unpleasant Elizabeth Arden treatment.
In , the 20th episode of the fourth season of The Carol Burnett Show featured a take-off of the film called "Lovely Story", with Carol Burnett in the MacGraw role and Harvey Korman in the O'Neal role.
The film's female protagonist has been credited with the spike in the baby name Jennifer in North America in , launching it to the number 1 feminine given name.
In , the film's theme music was played during the funeral procession of Iranian General Qasem Soleimani.
In Westworld season 3, the film's theme music is played while a character is on a drug called 'genre' which makes him see the world in different film genres.
From Wikipedia, the free encyclopedia. Theatrical release poster. Ali MacGraw Ryan O'Neal. Paramount Pictures Love Story Company.
Release date. Running time. British Board of Film Classification. January 20, Retrieved February 12, The Numbers.
Retrieved January 29, Box Office Mojo. Archived from the original on June 28, Retrieved June 25, Los Angeles Times. September 21, The Harvard Crimson.
Archived from the original on March 3, Retrieved October 6, March 22, Manila : Billboard Publications, Inc.
Retrieved October 15, Rotten Tomatoes. Retrieved December 16, Chicago Sun-Times.1/8/ · This movie is based on the amazing true story of real-life couple Kim and Krickett Carpenter; after a tragic car accident, she loses her memory, and he has to find a way to make her fall in love Occupation: Parenting & Relationships Editor. rows · Best of Rotten Tomatoes. Movies with 40 or more critic reviews vie for their place .